The ghosts of holidays past appear and dissipate and the ‘cobbled streets’ of Whitby haunt as the gulls cry and the sea is ‘wind-blown and cold’.
It is both actual and imaginative: Gerald did visit Whitby in 1917 but Daphne inhabits her father’s mind to create a Whitby of ghostly forms and shadows: George du Maurier singing in the fish-market while walking his dog, Chang, and Emma at the window of a house on St Hilda’s Terrace, one of the houses which the family rented for those Whitby late Augusts and Septembers. Daphne’s account of her father’s life is certainly a portrait - as much a creation as a reflection of a person. The Du Mauriers Just As They Were tells the story of five generations of novelist Daphne Du Maurier’s remarkable family, beginning with Mathurin-Robert Busson, a master glassblower who immigrated to London in 1789, added the suffix Du Maurier to his name, and so became a gentleman glassblower. Barrie’s Peter Pan) as well as his parents, were all dead and only one sister, May, remained. But by 1917, Gerald’s only brother, Guy, a soldier, had been killed in the First World War his sisters Beatrix (Trixie) and Sylvia (whose sons inspired J. In the 1880s and 1890s George and his wife Emma frequented Whitby with their five children, the youngest of whom was Gerald. This port town of North Yorkshire had been a favourite holiday retreat of Gerald’s father, the cartoonist and writer, George du Maurier. In this extract from the memoir of her father, Gerald: A Portrait (1934), Daphne du Maurier resurrects the actor-manager Gerald du Maurier and places him in Whitby in 1917.
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